Advertisements serve as pivotal cultural tools that shape consumer perceptions, influence purchasing behavior and construct social meanings. In the context of beauty and cosmetics, their persuasive force is particularly directed toward women, often reinforcing the long-standing association between fair skin and desirability. This study examines the semiotic strategies employed in fairness cream advertisements to demonstrate how they commodify the female body and reproduce normative beauty standards among Indian women. Drawing on multimodal semiotic theories from Structuralist Model of Signification of Saussure, Barthes (1972) and Kress and van Leeuwen (2006) the analysis explores how signs, symbols, color schemes, narrative structures and ideological mythologies collectively sustain the notion that fairness signifies beauty, confidence, success and social approval. The study focuses on both lexical and visual semiotics, analyzing linguistic choices, metaphors, presuppositions and transformation narratives that implicitly encode colorist ideologies. Complemented by feminist theory and postcolonial perspectives, the analysis further interrogates the gendered pressures, patriarchal expectations and colonial residues embedded within fairness discourse. Findings reveal that fairness cream advertisements systematically normalize colorism by idealizing lighter skin tones while marginalizing darker complexions. These representational patterns shape self-perceptions of women, contributing to internalized bias, diminished self-esteem, and aspirational conformity to Eurocentric beauty norms. The study highlights the urgent need for inclusive media practices that challenge discriminatory beauty narratives and support diverse representations. By examining the intersections of semiotics, gender and postcolonial identity, this research contributes to broader discussions on beauty, power and inequality in contemporary Indian society.