Although lexical frequencies are familiar measures of stylistic and thematic analysis, only recently have some stylostatisticians been tempted to investigate the relationship between the frequency and topography of repeated lexical items. In the present paper the authors have turned to the study of the four focal types of discursive narratology, using Marguerite Duras'Moderato Cantabile. Their intent is to uncover aspects of narratological performance which further elucidate the communicative strategies in the story. Part 1 summarizes the problematic between frequency and topography. It describes how a topographical index can be computed for any repeated item and how a Global Topography Index (GTI) can summarize the major topographical characteristics of any text sequence. Part 2 presents a four-cell typology of narrational mode: a segmentation of the verbal chain into narrating and narrated speech acts, with each text sequence tagged according to its discursive function: overt sender intervention for story coherence or comment on the focal level of a narrating present; representation of discrete or unlocalized events on the focal level of a mimeticized past. In Part 3 the focal encodings are displayed in numerical and graphic form, first according to the eight surface chapter divisions and then according to twenty-six subsets of approximately equal length. The fluctuations of the topography indices are reviewed, with particular attention being paid to the manifestation of cluster effects. Although sender interventions predominate, the relativized behavior of each focal type contributes to a climactic unraveling of the intrigue in the final chapters. In conclusion, the authors stress the dichotomy between the calm surface of the chapters and the agitated tensions of the twenty-six subsets.