It has been noted that certain similarities can be detected between the work of the Bakhtin Circle and the work of Jürgen Habermas. While I do not deny that these sorts of similarities can be detected, I also argue that the insights of the Bakhtin Circle can be used to provide the basis of a critique of Habermas. My specific aim is to show how Habermas perpetuates a ‘stylistic’ approach to discourse theory. ‘Stylistics’, as conceived by the Bakhtin Circle, explores discourse through the dualism of an objectively defined set of linguistic norms that can be appropriated through the creative linguistic competence of individual speakers. On this understanding, individuals within their everyday environment choose elements from objective linguistic norms in order to make sense of their world. However, a stylistic approach to discourse implicitly denigrates the usefulness of everyday utterances because it suggests that, for language to gain normative meaning and understanding, it must always refer back to an objective linguistic system. By using the Bakhtin Circle’s theoretical insights, I flag up several problems that emerge from Habermas’s particular standpoint on stylistics.