The verbal imitations of mental processes are successfully attempted by James Joyce in his three novels, namely, A Portrait of the Artist as a Young Man, Ulysses, and Finnegans Wake. Joyce’s experiment with English language structures and vocabulary to capture the ceaseless flow of thought process is strikingly noticeable. His use of the literary technique “stream of consciousness” delineates the flow of expressions, associations, hesitations, impulses, and rational thoughts of his characters. Joyce’s verbatim reproductions of the workings of the mind have caught the reader’s attention owing to his startling experiments with the traditionally accepted norms of word formation. Joyce coins innumerable lexical items through strange combinations of letters, compounding, suffixation, conversions, and many such devices. This paper attempts to highlight some of the structures of his coinages as it might interest those readers who intend to understand the logic behind such word formation strategies.